Thursday 16th November 2023
lo to research he history companies and regulators in the television industry
publicity owned tv channel- funded by tv license or government
commercial tv- is way they have adverts to make profits
convergence- lots of technology into one
watershed- content for adults
segmented market- dividing your targets in to smaller approachable groups
main stream- something thats conventional
self regulating is not regulated by outside bodies
francise- license from company of a product to use format/show/ideas
Chanel surfing- is frequently changing through channels
tv license- is where you pay to watch tv
scheduling- deciding which shows to watch. at which times
conglomerate- a big company by lots of smaller companies
psb- public service broadcasting dont want to make profits
the first tv in the uk was in 1936
in 1965 they had 3 channels
itv started in 22nd september 1955
these channels have to follow the psb remit
Channel 3 services, Channel 4, Channel 5, S4C and the BBC.
off-com regulates tv now
the independent broadcasting authority regulated tv in the 60s
the differences between tv in the 60s and now are
the colour
quality
humor
tv sizes
costs
we can now stream and watch what we want
the variety of channels
Thursday 23rd november 2023
lo to explore the ownership and regulation of bbc 1 and itv
BBC
Our mission is "to act in the public interest, serving all audiences through the provision of impartial, high-quality and distinctive output and services which inform, educate and entertain".
1. To provide impartial news and information to help people understand and engage with the world around them
2. To support learning for people of all ages
3. To show the most creative, highest quality and distinctive output and services
4. To reflect, represent and serve the diverse communities of all of the United Kingdom’s nations and regions and, in doing so, support the creative economy across the United Kingdom
5. To reflect the United Kingdom, its culture and values to the world
Our values are:
- AUDIENCES are at the heart of everything we do
- CREATIVITY is the lifeblood of our organisation
- TRUST is the foundation of the BBC - we’re independent, impartial and truthful
- We RESPECT each other - we’re kind, and we champion inclusivity
- We are ACCOUNTABLE and deliver work of the highest quality
- We are ONE BBC - we collaborate, learn and grow together
ITV
Our purpose is to entertain and connect with millions of people in the UK and globally, reflecting and shaping culture and building brands with brilliant content and creativity. This is aligned to our 2026 strategic vision, to be a leader in UK advertiser-funded streaming and an expanding global force in content.
Our Social Purpose strategy is an integral part of delivering our purpose and our strategic vision. See our Social Purpose website for further details
Our initiatives to drive growth and future value are clear. Delivering our vision will be achieved by focusing on three strategic pillars:
Expand Studios
Supercharge Streaming
Optimise Broadcast
These pillars are not independent. They work together – reinforcing each other, creating synergies and delivering value. Being a vertically integrated producer broadcaster and streamer provides us with a real competitive advantage
What is the most watched ITV Programme?
Love Island and ITV's World Cup coverage were the most watched events in broadcaster streaming in 2022, with 273 million streams and 146 million streams respectively.
thursday 14th december 2023
tv audiences
l/o to explore how audiences consume tv dramas and the appeals
stream
record
time shifted
1 interactively
2 second screening
theory
active audience
a passive audience accepts and believes everything a media a text tells them
a active audience interacts with a media text and makes it own decisions about weather to accept and believe everything
we are more active because we have alt more in society now and more advanced we able to make our own news so some sauces are less trust worthy
scheduling
deciding when to put certain shows are on
peak viewing
6pm-1030pm
when most people are sat watch the tele
the water shed
content that can only be show from 5-9 and be up to 15 years of age and after 10
18+ plus content
tv drama
any televison drama thats made into a series of a show
has a narrative that gose over the seasons
Jeffrey dhamer
peaky blinder
vampire diaries
casualty\holby city
doctor who
lord of the rings
Thursday 11th January 2023
the 1960s
research the social historical and political context the avengers
there was racist and sexist newspapers
elvis
the beetles
coloured teles came out
3 tv channels came out
- Berlin Wall is built, dividing East and West Germany.
the civil rights movement, the Vietnam War and antiwar protests, countercultural movements, political assassinations and the emerging "generation gap."
By the 1960s, the first teenage generation free from conscription emerged in Britain. Young people were finally given a voice and freedom to do what they wanted
jfk was shot
segration \ mlk
popular bands in the 60s the beetles
rolling stones
prostest in the. 60s women's rights
what happend to races men n women in the 60s racism
vietnam\america war
illegal drugs used in the 60s psychedelics\cannabis
birth control scientific discovery for women
harold wilson and labour were in charge at the time
hostility over who won n lost thee ww
nuke threats between america and Soviet union
spys and agents
thursday 18th January 2024
the avengers 1965
lo to research the tv show the avengers
abc television
7th January
6 seasons
1969 21st april
jon steed
dianna rig
shown 9:05pm Saturdays night
attracted ann audience of 7mil
the narrative (storyline)
the characters
how the episode shows the social and cultural
audience appeal
Thursday 25th January 2024
jon steed
Diana rig
shown 9:05pm Saturdays night
attracted an audience of 7mil
the narrative
they heard people were disappearing in a little village
they
Thursday 1st February 2024
ttonr the town of no return
they heard people were disappearing in a little village
they
mrs peel
jon steed
people were worried bout invasion
personal identify traditional
information-secret agents
entertainment- humorous
social interaction- they talk to friends relatives about it. or watch it with them
the submarine sending 12 people in to invade at a time
spies and people impersonating
bunker full of weaponry
humour when jon smacks emma on the bottom
the tea party on the train
the can now rely on women to fight as well and not just always men
they dont stop
the enemy smart but not smart enough
social context influenced television in the 60s by using references to the cold war and threat to invade they also used espionage to influence television and the thought of having secret. for example the submarine had secret agents invade slowly at a time
there was more gender equality because theres a women doing things a women wouldn't normally do spies lurking about the place these would comfort but also have the general public worried the public could be worried by the thought of invasion but reassured that we have spies to fight them off
Thursday 22nd February 2024
the avengers extract analysis
camera work
shot type
movement
angle
editing
mise en scene
props
costume
lighting
sound
the camera movement was shakey to exaggerate the fighting
the planes creates atmosphere of war and the time being around the cold war
the brief cases
graphic match
thursday 29th February 2023
the avengers extract analysis
juxtaposition graphic match
montage's
crosscutting
speed of editing
transitions: dissolve wipe fade post production effects cgi
cutting on action makes it look natural
cut away in the. middle of a scene where they flash something then cut back
cross cutting
match cut graphic match
fade in fade out dissolving in to or out of black
graphic match flame of the candle to the blacksmith
they have used a graphic match in the scene this shows that emma can be in the blacksmith with the fire linking the scenes
they have used church. music and then when emma is caught out the music stops implying danger or threat
Thursday 28th march 2024
Thursday 18th april 2024
cuffs and audience appeal
l/o to analyse the appeals of tv drama
the hero- Jake vickers
the helper- lino moretti
chief robert vickers -dispatcher
lino moretti- false hero
audience appeal u and g
uses and gratifications
personal identify- a lot of different characters to relate to
information- can be talking facts
entertainment- it offers entertainment to people
social interaction- you can talk about it to friends and family
social contexts and cuffs
there is women working alongside men wich shows equality
we can see this when they train in the garage donnor and ran stop at the same time
Thursday 25th april 2024
the police was presented as quite poor and not good at there job
pc Jake vickers is presented as a nice calm character he is gay and just try's his hardest to keep ryan sweet
di felix kane is presented as a isolated character he is always working alone and he is a genuine guy he had his own little investigation going on
ryans represented as a strong bold character he is hard to please at first and then towards the end of the ep we seen he is a lovin father looking after and doing the best for his kids
the racist attacker
there was different ethnic backgrounds in the casts
the racists is presented a typical urban poor area who targeted innocent coloured
age is represented in many different ways pc ryan daggers little son or brother is presentred as a rebellious teenager bunking from scholl
these guys are represented as physically fit when they run in the car park
pc Jake vickers n ryan
Thursday 2nd may 2024
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